本剧以光绪年间宿迁知县万立钰为原型，讲述其破漕运贪腐案、立“永禁碑”倡廉的故事。本剧通过悬疑探案与市井喜剧元素，展现廉洁家风与地域文化，以新形式解读古代廉政故事，以新语境激活传统廉政基因。

从《史记》到《华阳国志》，都讲述蜀的祖先推定为皇帝、高阳氏的后代支庶。虽说神话传说与历史交融，然而却使蜀踪愈发迷离。20世纪八十年代大规模的考古发掘，终于使两坑蜀国重宝重见天光。这两个祭祀坑里出土了大量有着人面孔的青铜神像，这些众多的人像眼睛突出、耳朵穿孔，它们有威严的男性角色，也有端正俊美的女性，本片以文物讲述为线索将带领我们去聆听四、五千年前有关古蜀王国的故事。

从《史记》到《华阳国志》，都讲述蜀的祖先推定为皇帝、高阳氏的后代支庶。虽说神话传说与历史交融，然而却使蜀踪愈发迷离。20世纪八十年代大规模的考古发掘，终于使两坑蜀国重宝重见天光。这两个祭祀坑里出土了大量有着人面孔的青铜神像，这些众多的人像眼睛突出、耳朵穿孔，它们有威严的男性角色，也有端正俊美的女性，本片以文物讲述为线索将带领我们去聆听四、五千年前有关古蜀王国的故事。

亚历山德拉爱上了迷人的男友安德烈。由于害怕失去他，她犹豫着要不要告诉他她是一个性瘾者。她的神秘行为让安德烈疯狂，以至于他准备娶她，尽管他们甚至还没有发生过性关系（根据匿名性爱协会的规则，萨莎只有在合法结婚的情况下才允许发生性关系）。 　　萨莎非常担心她对安德烈的谎言，以至于在婚礼前夕，她差点和约会软件中的一个家伙Cyril脱身，后者给她发了一张引人入胜的色情照片。萨莎必须理清自己，为她过去的问题找到答案，选择什么对她更有价值：性或感情......好吧，还有这些男人中的一些。UNLIL

亚历山德拉爱上了迷人的男友安德烈。由于害怕失去他，她犹豫着要不要告诉他她是一个性瘾者。她的神秘行为让安德烈疯狂，以至于他准备娶她，尽管他们甚至还没有发生过性关系（根据匿名性爱协会的规则，萨莎只有在合法结婚的情况下才允许发生性关系）。 　　萨莎非常担心她对安德烈的谎言，以至于在婚礼前夕，她差点和约会软件中的一个家伙Cyril脱身，后者给她发了一张引人入胜的色情照片。萨莎必须理清自己，为她过去的问题找到答案，选择什么对她更有价值：性或感情......好吧，还有这些男人中的一些。UNLIL

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第九名。

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第九名。

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

Feature film inspired by the pranks performed by the comedy troupe The Janoskians.